1 99:59:59,999 --> 99:59:59,999 A thing is happening. 2 99:59:59,999 --> 99:59:59,999 Beauty's at work through pure and selfless acceptance, 3 99:59:59,999 --> 99:59:59,999 through everyday transcendence that remedies the chaos, 4 99:59:59,999 --> 99:59:59,999 an antidote to the sorrow on this earth for eternity. 5 99:59:59,999 --> 99:59:59,999 Music heard so deeply that it is not heard at all. 6 99:59:59,999 --> 99:59:59,999 You are the music while the music lasts. 7 99:59:59,999 --> 99:59:59,999 Insist on beauty in spite of everything. 8 99:59:59,999 --> 99:59:59,999 Decorum. 9 99:59:59,999 --> 99:59:59,999 As I'm walking, I see you on your motorbike. 10 99:59:59,999 --> 99:59:59,999 I can see your blue eyes and nose peering underneath 11 99:59:59,999 --> 99:59:59,999 the crash helmet. 12 99:59:59,999 --> 99:59:59,999 And it's not you. 13 99:59:59,999 --> 99:59:59,999 It's just a man that looks like you. 14 99:59:59,999 --> 99:59:59,999 I'm disappointed every time. 15 99:59:59,999 --> 99:59:59,999 Every time I see a man on a motorbike, I think it's my dad. 16 99:59:59,999 --> 99:59:59,999 I'm not sure why this is. 17 99:59:59,999 --> 99:59:59,999 Sometimes I forget what your bike looks like. 18 99:59:59,999 --> 99:59:59,999 Everyone's eyes and faces look the same underneath 19 99:59:59,999 --> 99:59:59,999 black crash helmets. 20 99:59:59,999 --> 99:59:59,999 From a distance, everyone looks like you. 21 99:59:59,999 --> 99:59:59,999 Although soon I realize it's not. 22 99:59:59,999 --> 99:59:59,999 I remember you used to paint pictures of naked women 23 99:59:59,999 --> 99:59:59,999 in crash helmets. 24 99:59:59,999 --> 99:59:59,999 Their identities were hidden too. 25 99:59:59,999 --> 99:59:59,999 I always wondered who these women were, 26 99:59:59,999 --> 99:59:59,999 their shiny black round heads like lollipops. 27 99:59:59,999 --> 99:59:59,999 Props. 28 99:59:59,999 --> 99:59:59,999 Who were they, dad? 29 99:59:59,999 --> 99:59:59,999 (inhales softly) 30 99:59:59,999 --> 99:59:59,999 (exhales softly) 31 99:59:59,999 --> 99:59:59,999 (silence until 1:54) 32 99:59:59,999 --> 99:59:59,999 Breath. 33 99:59:59,999 --> 99:59:59,999 (approaching footsteps) 34 99:59:59,999 --> 99:59:59,999 A laughing heart... 35 99:59:59,999 --> 99:59:59,999 Your life is your life. 36 99:59:59,999 --> 99:59:59,999 Don't let it be clubbed into submission. 37 99:59:59,999 --> 99:59:59,999 Be on the watch. There are ways out. 38 99:59:59,999 --> 99:59:59,999 There's light somewhere. 39 99:59:59,999 --> 99:59:59,999 It may not be much light, but it beats the darkness. 40 99:59:59,999 --> 99:59:59,999 Be on the watch. 41 99:59:59,999 --> 99:59:59,999 The gods will offer you chances. 42 99:59:59,999 --> 99:59:59,999 Know them. Take them. 43 99:59:59,999 --> 99:59:59,999 You can't beat death, but you can beat death in life sometimes. 44 99:59:59,999 --> 99:59:59,999 And the more often you learn to do it, 45 99:59:59,999 --> 99:59:59,999 the more light there will be. 46 99:59:59,999 --> 99:59:59,999 Your life is your life. 47 99:59:59,999 --> 99:59:59,999 Know it while you have it. 48 99:59:59,999 --> 99:59:59,999 You are marvelous. 49 99:59:59,999 --> 99:59:59,999 The gods wait to delight in you. 50 99:59:59,999 --> 99:59:59,999 Rascal was a wildcat when it was four degrees outside. 51 99:59:59,999 --> 99:59:59,999 When I moved in she'd stand with me in winter and rain, 52 99:59:59,999 --> 99:59:59,999 sleep with me, mostly outside. 53 99:59:59,999 --> 99:59:59,999 Hunter, I never tried to break her spirit. 54 99:59:59,999 --> 99:59:59,999 Hit by a car in front of me. 55 99:59:59,999 --> 99:59:59,999 I was shocked. 56 99:59:59,999 --> 99:59:59,999 I buried her by cat litter and wild food, 57 99:59:59,999 --> 99:59:59,999 her sunshine place could only dig the stones 58 99:59:59,999 --> 99:59:59,999 because of city sewage pipes about three or four feet. 59 99:59:59,999 --> 99:59:59,999 I wish it was deeper, next to keep other animals from digging her up. 60 99:59:59,999 --> 99:59:59,999 When I find stones, I'll cover her up 61 99:59:59,999 --> 99:59:59,999 [?] began to swell. 62 99:59:59,999 --> 99:59:59,999 If so, I'll put more soil on top. 63 99:59:59,999 --> 99:59:59,999 First, cat and friend. 64 99:59:59,999 --> 99:59:59,999 Hi. Yeah. 65 99:59:59,999 --> 99:59:59,999 I saw you last night. Hmm. 66 99:59:59,999 --> 99:59:59,999 I was in the club. Yup. 67 99:59:59,999 --> 99:59:59,999 I saw who you were with too. 68 99:59:59,999 --> 99:59:59,999 She was holding you so tight. 69 99:59:59,999 --> 99:59:59,999 Because she knows you want me. 70 99:59:59,999 --> 99:59:59,999 Oh, naw. She can't love you. 71 99:59:59,999 --> 99:59:59,999 She can't love you like I do. 72 99:59:59,999 --> 99:59:59,999 I said to myself that you must be out of your mind. 73 99:59:59,999 --> 99:59:59,999 You were there with somebody else. 74 99:59:59,999 --> 99:59:59,999 You know you're wasting your time. 75 99:59:59,999 --> 99:59:59,999 Oh, no. 76 99:59:59,999 --> 99:59:59,999 But she can't love you. 77 99:59:59,999 --> 99:59:59,999 She can't love you like I do. 78 99:59:59,999 --> 99:59:59,999 You're missing my beat and I needing your moves. 79 99:59:59,999 --> 99:59:59,999 Let's give it one more try. Let's get back in the groove. 80 99:59:59,999 --> 99:59:59,999 Because she can't love you. 81 99:59:59,999 --> 99:59:59,999 She can't love you like I do. 82 99:59:59,999 --> 99:59:59,999 When I was younger, my father was the producer 83 99:59:59,999 --> 99:59:59,999 of a transvestite troupe and it seemed a dream for me 84 99:59:59,999 --> 99:59:59,999 to be able to observe what was behind the curtain. 85 99:59:59,999 --> 99:59:59,999 I think this is when it all started, while growing up. 86 99:59:59,999 --> 99:59:59,999 I kept on searching for this feeling of wonder, 87 99:59:59,999 --> 99:59:59,999 this taste for metamorphosis. 88 99:59:59,999 --> 99:59:59,999 I [direct speak] of cabarets, shows are even strange. 89 99:59:59,999 --> 99:59:59,999 From video to another, off the same protagonist progresses 90 99:59:59,999 --> 99:59:59,999 in this mysterious and phantasmagorical universe. 91 99:59:59,999 --> 99:59:59,999 I consider my videos as living paintings. 92 99:59:59,999 --> 99:59:59,999 I use the camera as a painter with his brushes. 93 99:59:59,999 --> 99:59:59,999 What could my world be made of? 94 99:59:59,999 --> 99:59:59,999 Red. Green. Blue. 95 99:59:59,999 --> 99:59:59,999 Red. Green. Blue. 96 99:59:59,999 --> 99:59:59,999 Red. Green. Blue. 97 99:59:59,999 --> 99:59:59,999 If you want to turn yourself into a proud samurai warrior, 98 99:59:59,999 --> 99:59:59,999 you need the katana samurai sword. 99 99:59:59,999 --> 99:59:59,999 This high-quality plastic weapon is a Japanese long sword 100 99:59:59,999 --> 99:59:59,999 which will look just perfect with your traditional Japanese hakama. 101 99:59:59,999 --> 99:59:59,999 And the traditional Japanese geta. 102 99:59:59,999 --> 99:59:59,999 And add the finishing touch to your Asian outfit: 103 99:59:59,999 --> 99:59:59,999 the black and gold katana samurai sword 104 99:59:59,999 --> 99:59:59,999 comes with a matching black scabbard 105 99:59:59,999 --> 99:59:59,999 so it can be stored safely. 106 99:59:59,999 --> 99:59:59,999 The Japanese sword will protect you in fights 107 99:59:59,999 --> 99:59:59,999 and is sure to make you an eye-catcher in any party. 108 99:59:59,999 --> 99:59:59,999 Size length, 105 centimeters. 109 99:59:59,999 --> 99:59:59,999 Blade length, 70 centimeters. 110 99:59:59,999 --> 99:59:59,999 Material, plastic. 111 99:59:59,999 --> 99:59:59,999 Yeah, so... a couple years ago 112 99:59:59,999 --> 99:59:59,999 a bunch of us went down to the beach 113 99:59:59,999 --> 99:59:59,999 and we got there and coast guards running 114 99:59:59,999 --> 99:59:59,999 all up and down the sand like, "You can't get in the water." 115 99:59:59,999 --> 99:59:59,999 You know? 116 99:59:59,999 --> 99:59:59,999 Screaming at us. 117 99:59:59,999 --> 99:59:59,999 So we waited a bit and they went further down the beach 118 99:59:59,999 --> 99:59:59,999 and then we decided we would go. 119 99:59:59,999 --> 99:59:59,999 Like, what the fuck? Why did we come here? 120 99:59:59,999 --> 99:59:59,999 So my buddy went down there and he's like, 121 99:59:59,999 --> 99:59:59,999 "All good, come down here, man." 122 99:59:59,999 --> 99:59:59,999 So I walked over and we looked down. 123 99:59:59,999 --> 99:59:59,999 And we couldn't see it from where we were parked, 124 99:59:59,999 --> 99:59:59,999 but when we looked down, we were really close. 125 99:59:59,999 --> 99:59:59,999 You looked down and there just all these fucking jellyfish. 126 99:59:59,999 --> 99:59:59,999 Like, one every... like all over the place. 127 99:59:59,999 --> 99:59:59,999 One every two or three feet. 128 99:59:59,999 --> 99:59:59,999 And from where we were standing, you couldn't really tell 129 99:59:59,999 --> 99:59:59,999 if they were living or dead, you know? 130 99:59:59,999 --> 99:59:59,999 'Cause some of them were still moving, 131 99:59:59,999 --> 99:59:59,999 but then others were just totally limp. 132 99:59:59,999 --> 99:59:59,999 So... tell me what it's like growing up in Singapore. 133 99:59:59,999 --> 99:59:59,999 Well, we had... I had these really magnificent memories 134 99:59:59,999 --> 99:59:59,999 of my childhood. 135 99:59:59,999 --> 99:59:59,999 We had these magnificent playgrounds. 136 99:59:59,999 --> 99:59:59,999 There was, like, these big watermelons. 137 99:59:59,999 --> 99:59:59,999 I remember I used to climb to the top of the watermelon 138 99:59:59,999 --> 99:59:59,999 and I'd rub myself on the ridges 139 99:59:59,999 --> 99:59:59,999 to give myself pleasure. 140 99:59:59,999 --> 99:59:59,999 You think we could fall in love on the internet? 141 99:59:59,999 --> 99:59:59,999 No. 142 99:59:59,999 --> 99:59:59,999 'Cause it wouldn't be love. It'd just be porn. 143 99:59:59,999 --> 99:59:59,999 I don't think so. 144 99:59:59,999 --> 99:59:59,999 [Seem] from a distance, almost everything looks beautiful. 145 99:59:59,999 --> 99:59:59,999 As the distance increases, the more you romanticize. 146 99:59:59,999 --> 99:59:59,999 All the small details from the everyday reminisces the past. 147 99:59:59,999 --> 99:59:59,999 Because things we want to forget are the thing we can never forget. 148 99:59:59,999 --> 99:59:59,999 DO IT! 149 99:59:59,999 --> 99:59:59,999 JUST DO IT! 150 99:59:59,999 --> 99:59:59,999 Don't let your dreams be dreams. 151 99:59:59,999 --> 99:59:59,999 Yesterday you said tomorrow. 152 99:59:59,999 --> 99:59:59,999 So just DO IT! 153 99:59:59,999 --> 99:59:59,999 Make your dreams come true! 154 99:59:59,999 --> 99:59:59,999 Just DO IT! 155 99:59:59,999 --> 99:59:59,999 Some people dream of success while you're gonna wake up 156 99:59:59,999 --> 99:59:59,999 and work hard at it! 157 99:59:59,999 --> 99:59:59,999 Nothing is impossible. 158 99:59:59,999 --> 99:59:59,999 You should get to the point where anyone else would quit 159 99:59:59,999 --> 99:59:59,999 and you're not gonna stop there. 160 99:59:59,999 --> 99:59:59,999 No, what are you waiting for? 161 99:59:59,999 --> 99:59:59,999 DO IT! 162 99:59:59,999 --> 99:59:59,999 Just... DO IT! 163 99:59:59,999 --> 99:59:59,999 Yes, you can! 164 99:59:59,999 --> 99:59:59,999 Just do it. 165 99:59:59,999 --> 99:59:59,999 If you're tired of starting over, stop giving up. 166 99:59:59,999 --> 99:59:59,999 Emerging gaming technologies operate within a nexus 167 99:59:59,999 --> 99:59:59,999 of social relationships that characterize the modern world. 168 99:59:59,999 --> 99:59:59,999 These technologies enable a constant commentary 169 99:59:59,999 --> 99:59:59,999 which has become the quintessential quality of power, 170 99:59:59,999 --> 99:59:59,999 often operating as mechanisms that dictate our action 171 99:59:59,999 --> 99:59:59,999 and pre-ordain our expectations. 172 99:59:59,999 --> 99:59:59,999 The work interrogates the cultural logic of feedback 173 99:59:59,999 --> 99:59:59,999 as a metaphor and material condition. 174 99:59:59,999 --> 99:59:59,999 It is live, cybernetic, reactive. 175 99:59:59,999 --> 99:59:59,999 Sensory data translated through visual and tactile apparatus. 176 99:59:59,999 --> 99:59:59,999 Disillusion of the virtual and corporeal boundary, 177 99:59:59,999 --> 99:59:59,999 reorienting perspective of the existing and the alternative space and time. 178 99:59:59,999 --> 99:59:59,999 An avatar in symbiosis with the subject, 179 99:59:59,999 --> 99:59:59,999 taking the lead in a continuous loop of action and reaction. 180 99:59:59,999 --> 99:59:59,999 We're surrounded by forms. 181 99:59:59,999 --> 99:59:59,999 Yet it's still so elusive, right? 182 99:59:59,999 --> 99:59:59,999 You know, sometimes it feels like we fill that void between us 183 99:59:59,999 --> 99:59:59,999 with something that grows slowly, 184 99:59:59,999 --> 99:59:59,999 like it's overtaking us or something. 185 99:59:59,999 --> 99:59:59,999 Through the way we speak, or what we do, 186 99:59:59,999 --> 99:59:59,999 where we put stuff around us, 187 99:59:59,999 --> 99:59:59,999 even the stances we inhabit or the faces we make 188 99:59:59,999 --> 99:59:59,999 or even the body parts, you know? 189 99:59:59,999 --> 99:59:59,999 The food we eat. Whatever. 190 99:59:59,999 --> 99:59:59,999 Sometimes it gets heavier, you know? 191 99:59:59,999 --> 99:59:59,999 Or more light, but it's like all the distinctions 192 99:59:59,999 --> 99:59:59,999 are starting to melt away. 193 99:59:59,999 --> 99:59:59,999 The forms, the resemblances, the symmetries, 194 99:59:59,999 --> 99:59:59,999 the repetitions, the patterns. 195 99:59:59,999 --> 99:59:59,999 Patterns that we know we have always had, 196 99:59:59,999 --> 99:59:59,999 that have always been there and we're not sure why. 197 99:59:59,999 --> 99:59:59,999 And now... the outside looks more and more like the images 198 99:59:59,999 --> 99:59:59,999 that were contained in us since the beginning. 199 99:59:59,999 --> 99:59:59,999 Hi. Thank you for waiting. 200 99:59:59,999 --> 99:59:59,999 We've been running a little bit behind today. 201 99:59:59,999 --> 99:59:59,999 Right. 202 99:59:59,999 --> 99:59:59,999 As you know, we've taken a few readings 203 99:59:59,999 --> 99:59:59,999 and these get sent away. 204 99:59:59,999 --> 99:59:59,999 We have a look at them. We meet, a group of us. 205 99:59:59,999 --> 99:59:59,999 Many years of experience. 206 99:59:59,999 --> 99:59:59,999 We have a look and we see what we can see. 207 99:59:59,999 --> 99:59:59,999 Does that make sense? 208 99:59:59,999 --> 99:59:59,999 If I ju-- 209 99:59:59,999 --> 99:59:59,999 If you just have a look here, really... 210 99:59:59,999 --> 99:59:59,999 The system's really slow, so it's a case of monitoring. 211 99:59:59,999 --> 99:59:59,999 And you monitoring and you just letting us know 212 99:59:59,999 --> 99:59:59,999 if you notice anything unusual. 213 99:59:59,999 --> 99:59:59,999 Would you be able to do this? 214 99:59:59,999 --> 99:59:59,999 Hmm? 215 99:59:59,999 --> 99:59:59,999 You have any questions? 216 99:59:59,999 --> 99:59:59,999 Double. 217 99:59:59,999 --> 99:59:59,999 Double sided. 218 99:59:59,999 --> 99:59:59,999 Minds. Different paths. 219 99:59:59,999 --> 99:59:59,999 One runs after sunlight, one follows the rising moon. 220 99:59:59,999 --> 99:59:59,999 They either congregate, connect, intersect, touch, 221 99:59:59,999 --> 99:59:59,999 unite at sunset for eclipses... 222 99:59:59,999 --> 99:59:59,999 play and then separate for long interstices. 223 99:59:59,999 --> 99:59:59,999 Later, re-enacting past meetings forever lost in repetition. 224 99:59:59,999 --> 99:59:59,999 Ebb and flow, edging closer. 225 99:59:59,999 --> 99:59:59,999 Expanding warmth. 226 99:59:59,999 --> 99:59:59,999 That point just before the pressure bursts. 227 99:59:59,999 --> 99:59:59,999 Capillary rush. 228 99:59:59,999 --> 99:59:59,999 Tension. Resisting. 229 99:59:59,999 --> 99:59:59,999 Each muscle, each limb, each breath under control for now. 230 99:59:59,999 --> 99:59:59,999 Questions of limitations dissolve into the blur. 231 99:59:59,999 --> 99:59:59,999 Eyes open, but horizons fall away. 232 99:59:59,999 --> 99:59:59,999 The burn increases now. 233 99:59:59,999 --> 99:59:59,999 (Shia grunts) 234 99:59:59,999 --> 99:59:59,999 The pain sensors... 235 99:59:59,999 --> 99:59:59,999 one of you escapes, but I pull you back. 236 99:59:59,999 --> 99:59:59,999 Heh. Duality. 237 99:59:59,999 --> 99:59:59,999 Existing only as a whole. 238 99:59:59,999 --> 99:59:59,999 Weakened by quivering joints. 239 99:59:59,999 --> 99:59:59,999 Lungs push for release, a struggle to hold on. 240 99:59:59,999 --> 99:59:59,999 Control surrendered, suspended in dullness. 241 99:59:59,999 --> 99:59:59,999 Eyes close. 242 99:59:59,999 --> 99:59:59,999 Now numb. 243 99:59:59,999 --> 99:59:59,999 Running, reaching, falling, skipping, turning, sliding, walking. 244 99:59:59,999 --> 99:59:59,999 These are all words that describe ways of moving. 245 99:59:59,999 --> 99:59:59,999 Each action is packed with many micro-movements. 246 99:59:59,999 --> 99:59:59,999 It's hard for us to recognize these small movements individually. 247 99:59:59,999 --> 99:59:59,999 When describing how to walk, we use the simplest terms possible 248 99:59:59,999 --> 99:59:59,999 and struggle to explain all the mechanics of a simple movement. 249 99:59:59,999 --> 99:59:59,999 Understanding body movement in the terms of everyday language 250 99:59:59,999 --> 99:59:59,999 should be simple, however our muscle memory takes over 251 99:59:59,999 --> 99:59:59,999 for our brain and our body becomes a strange system 252 99:59:59,999 --> 99:59:59,999 of levers and pulleys that maneuver by our command. 253 99:59:59,999 --> 99:59:59,999 She sits. 254 99:59:59,999 --> 99:59:59,999 I squirt toothpaste in my mouth. 255 99:59:59,999 --> 99:59:59,999 I start to brush. 256 99:59:59,999 --> 99:59:59,999 She's looking at me. I look at her. 257 99:59:59,999 --> 99:59:59,999 I keep brushing whilst looking. 258 99:59:59,999 --> 99:59:59,999 I'll start looking at her. She looks at me 259 99:59:59,999 --> 99:59:59,999 and I continue to brush, getting faster, getting harder. 260 99:59:59,999 --> 99:59:59,999 I start to gag. 261 99:59:59,999 --> 99:59:59,999 My eyes leak and I still look at her. 262 99:59:59,999 --> 99:59:59,999 She looks at me and I keep brushing, gaggin. 263 99:59:59,999 --> 99:59:59,999 I feel like I'm gonna be sick. 264 99:59:59,999 --> 99:59:59,999 Am I gonna be sick? 265 99:59:59,999 --> 99:59:59,999 Gagging! Paste down my face, my hair, on my shirt. 266 99:59:59,999 --> 99:59:59,999 Dripping, and I still look at her and she looks at me. 267 99:59:59,999 --> 99:59:59,999 Enough. 268 99:59:59,999 --> 99:59:59,999 The sculpture, the painter, the video maker, 269 99:59:59,999 --> 99:59:59,999 the figure of the artist has been as fetishized in Western culture 270 99:59:59,999 --> 99:59:59,999 as the Hollywood actor, the town drunk or the Messiah himself. 271 99:59:59,999 --> 99:59:59,999 [Michael Peter's take shots], attempts to reconfigure 272 99:59:59,999 --> 99:59:59,999 the concept of creator or creatrix by placing himself in the position 273 99:59:59,999 --> 99:59:59,999 of artist as meme. 274 99:59:59,999 --> 99:59:59,999 Watch, enjoy, and be one. 275 99:59:59,999 --> 99:59:59,999 We are all children of the universe. 276 99:59:59,999 --> 99:59:59,999 Yeah, absolutely. 277 99:59:59,999 --> 99:59:59,999 I feel my absence in the absence of all things. 278 99:59:59,999 --> 99:59:59,999 Belief in living has been contorted into this shortened life 279 99:59:59,999 --> 99:59:59,999 of contempt and pre-determined in prison. 280 99:59:59,999 --> 99:59:59,999 And I... 281 99:59:59,999 --> 99:59:59,999 (sighs) 282 99:59:59,999 --> 99:59:59,999 I feel it all collapsing. 283 99:59:59,999 --> 99:59:59,999 I CAN'T FUCKING EMBRACE IT! 284 99:59:59,999 --> 99:59:59,999 (sighs) 285 99:59:59,999 --> 99:59:59,999 (sighs) 286 99:59:59,999 --> 99:59:59,999 [It's near] and here I stand... 287 99:59:59,999 --> 99:59:59,999 wasting the last moments, cursing thee who impress me this 288 99:59:59,999 --> 99:59:59,999 [your fate]. 289 99:59:59,999 --> 99:59:59,999 You give nothing. 290 99:59:59,999 --> 99:59:59,999 No mercy, no empathy. 291 99:59:59,999 --> 99:59:59,999 Only self-hate. 292 99:59:59,999 --> 99:59:59,999 You are just a fucking plaything. 293 99:59:59,999 --> 99:59:59,999 An amusement replicating the cries of man. 294 99:59:59,999 --> 99:59:59,999 You replay the last moments of my life over and over and over! 295 99:59:59,999 --> 99:59:59,999 I'm just a fucking charade suspended at the core of ridicule 296 99:59:59,999 --> 99:59:59,999 and I pity for those whose end mirrors mine 297 99:59:59,999 --> 99:59:59,999 and I pity myself. 298 99:59:59,999 --> 99:59:59,999 (sniffles) 299 99:59:59,999 --> 99:59:59,999 I'm helpless. 300 99:59:59,999 --> 99:59:59,999 Thank you. 301 99:59:59,999 --> 99:59:59,999 I'm tormented by the inescapable 302 99:59:59,999 --> 99:59:59,999 rewinding collapse. 303 99:59:59,999 --> 99:59:59,999 Don't let them see me like this. 304 99:59:59,999 --> 99:59:59,999 Man is under surveillance. 305 99:59:59,999 --> 99:59:59,999 Where is he going? 306 99:59:59,999 --> 99:59:59,999 Almost into a state of euphoria, of relief, 307 99:59:59,999 --> 99:59:59,999 as though he's happy about it. 308 99:59:59,999 --> 99:59:59,999 He has to act as a looking glass rather than a mirror 309 99:59:59,999 --> 99:59:59,999 of social conventions. 310 99:59:59,999 --> 99:59:59,999 He disintegrated perfectly, but never reappeared. 311 99:59:59,999 --> 99:59:59,999 He became translucent to reveal his reality. 312 99:59:59,999 --> 99:59:59,999 It's impossible unless he is, or was, insane. 313 99:59:59,999 --> 99:59:59,999 He changed his mind. You know how men are. 314 99:59:59,999 --> 99:59:59,999 Perhaps it symbolizes something deep in the subconscious. 315 99:59:59,999 --> 99:59:59,999 (silence until 19:43) 316 99:59:59,999 --> 99:59:59,999 Feeling genuinely upset. 317 99:59:59,999 --> 99:59:59,999 Tears [level]. Hmm. 318 99:59:59,999 --> 99:59:59,999 Shame on me. 319 99:59:59,999 --> 99:59:59,999 My face is [receptical] on surface. 320 99:59:59,999 --> 99:59:59,999 A surface that's throwing up what's already there. 321 99:59:59,999 --> 99:59:59,999 [Wet ware and ? stuff]. 322 99:59:59,999 --> 99:59:59,999 Confrontation is post. Preferably. 323 99:59:59,999 --> 99:59:59,999 Living in [?] like over and under. 324 99:59:59,999 --> 99:59:59,999 With grapple here is approaching confrontation. 325 99:59:59,999 --> 99:59:59,999 Or surface lump rolled out. 326 99:59:59,999 --> 99:59:59,999 You go through the dump to form a projectile semi-bound 327 99:59:59,999 --> 99:59:59,999 like protest song collapsed. 328 99:59:59,999 --> 99:59:59,999 Needs filled for no other. 329 99:59:59,999 --> 99:59:59,999 Forced partly forever as long as I leave you together. 330 99:59:59,999 --> 99:59:59,999 Art hits. 331 99:59:59,999 --> 99:59:59,999 Whatever I point at is big. 332 99:59:59,999 --> 99:59:59,999 Snapped leg. Snapped leg. (until 21:35) 333 99:59:59,999 --> 99:59:59,999 Chalk circle. 334 99:59:59,999 --> 99:59:59,999 Another one of those days where you think, "Shit, I've done nothing today." 335 99:59:59,999 --> 99:59:59,999 This London Underground journey 336 99:59:59,999 --> 99:59:59,999 needs to excessive mental activity performed. 337 99:59:59,999 --> 99:59:59,999 I'm stuck in a strange modern day meditation. 338 99:59:59,999 --> 99:59:59,999 This space asks for an interruption. 339 99:59:59,999 --> 99:59:59,999 When it happens, it's a moment of pure panic and confusion. 340 99:59:59,999 --> 99:59:59,999 All previous expectations are obliterated. 341 99:59:59,999 --> 99:59:59,999 [A second velation]. 342 99:59:59,999 --> 99:59:59,999 The rules are being broken here. 343 99:59:59,999 --> 99:59:59,999 Quickly, it passes. 344 99:59:59,999 --> 99:59:59,999 I'm back in the routine. 345 99:59:59,999 --> 99:59:59,999 There's an expansion of discovery and limitation, 346 99:59:59,999 --> 99:59:59,999 even if I'm thinking, "Fuck. This is boring" 347 99:59:59,999 --> 99:59:59,999 as I scribble repetitively onto the floor. 348 99:59:59,999 --> 99:59:59,999 STOP 22:19