[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.18,0:00:01.35,Default,,0000,0000,0000,,A thing is happening.
Dialogue: 0,0:00:01.85,0:00:04.95,Default,,0000,0000,0000,,Beauty's at work through \Npure and selfless acceptance,
Dialogue: 0,0:00:04.95,0:00:08.20,Default,,0000,0000,0000,,through everyday transcendence\Nthat remedies the chaos,
Dialogue: 0,0:00:08.20,0:00:11.41,Default,,0000,0000,0000,,an antidote to the sorrow \Non this earth for eternity.
Dialogue: 0,0:00:11.41,0:00:14.96,Default,,0000,0000,0000,,Music heard so deeply \Nthat it is not heard at all.
Dialogue: 0,0:00:14.96,0:00:17.84,Default,,0000,0000,0000,,You are the music while the music lasts.
Dialogue: 0,0:00:17.84,0:00:20.30,Default,,0000,0000,0000,,Insist on beauty in spite of everything.
Dialogue: 0,0:00:20.30,0:00:21.32,Default,,0000,0000,0000,,Decorum.
Dialogue: 0,0:00:25.74,0:00:28.68,Default,,0000,0000,0000,,As I'm walking, I see \Nyou on your motorbike.
Dialogue: 0,0:00:29.20,0:00:31.45,Default,,0000,0000,0000,,I can see your blue eyes \Nand nose peering underneath
Dialogue: 0,0:00:31.45,0:00:33.28,Default,,0000,0000,0000,,the crash helmet.
Dialogue: 0,0:00:33.28,0:00:34.26,Default,,0000,0000,0000,,And it's not you.
Dialogue: 0,0:00:34.26,0:00:36.04,Default,,0000,0000,0000,,It's just a man that looks like you.
Dialogue: 0,0:00:36.71,0:00:38.28,Default,,0000,0000,0000,,I'm disappointed every time.
Dialogue: 0,0:00:38.78,0:00:42.70,Default,,0000,0000,0000,,Every time I see a man on a motorbike,\NI think it's my dad.
Dialogue: 0,0:00:44.18,0:00:45.70,Default,,0000,0000,0000,,I'm not sure why this is.
Dialogue: 0,0:00:47.80,0:00:50.07,Default,,0000,0000,0000,,Sometimes I forget \Nwhat your bike looks like.
Dialogue: 0,0:00:51.03,0:00:53.55,Default,,0000,0000,0000,,Everyone's eyes and faces \Nlook the same underneath
Dialogue: 0,0:00:53.55,0:00:55.21,Default,,0000,0000,0000,,black crash helmets.
Dialogue: 0,0:00:55.21,0:00:58.11,Default,,0000,0000,0000,,From a distance, everyone looks like you.
Dialogue: 0,0:00:58.11,0:00:59.98,Default,,0000,0000,0000,,Although soon I realize it's not.
Dialogue: 0,0:01:01.35,0:01:03.35,Default,,0000,0000,0000,,I remember you used \Nto paint pictures of naked women
Dialogue: 0,0:01:03.35,0:01:05.70,Default,,0000,0000,0000,,in crash helmets.
Dialogue: 0,0:01:05.70,0:01:08.27,Default,,0000,0000,0000,,Their identities were hidden too.
Dialogue: 0,0:01:08.27,0:01:10.85,Default,,0000,0000,0000,,I always wondered who these women were,
Dialogue: 0,0:01:10.85,0:01:14.41,Default,,0000,0000,0000,,their shiny black round heads \Nlike lollipops.
Dialogue: 0,0:01:14.41,0:01:15.53,Default,,0000,0000,0000,,Props.
Dialogue: 0,0:01:17.19,0:01:18.58,Default,,0000,0000,0000,,Who were they, dad?
Dialogue: 0,0:01:21.91,0:01:24.04,Default,,0000,0000,0000,,(inhales softly)
Dialogue: 0,0:01:24.34,0:01:26.51,Default,,0000,0000,0000,,(exhales softly)
Dialogue: 0,0:01:27.01,0:01:36.75,Default,,0000,0000,0000,,(silence)
Dialogue: 0,0:01:55.53,0:01:56.61,Default,,0000,0000,0000,,Breath.
Dialogue: 0,0:02:01.43,0:02:03.99,Default,,0000,0000,0000,,(approaching footsteps)
Dialogue: 0,0:02:09.00,0:02:10.28,Default,,0000,0000,0000,,A laughing heart...
Dialogue: 0,0:02:12.11,0:02:13.56,Default,,0000,0000,0000,,Your life is your life.
Dialogue: 0,0:02:14.48,0:02:16.69,Default,,0000,0000,0000,,Don't let it be clubbed into submission.
Dialogue: 0,0:02:17.73,0:02:20.62,Default,,0000,0000,0000,,Be on the watch.\NThere are ways out.
Dialogue: 0,0:02:21.09,0:02:22.52,Default,,0000,0000,0000,,There's light somewhere.
Dialogue: 0,0:02:23.24,0:02:25.93,Default,,0000,0000,0000,,It may not be much light, \Nbut it beats the darkness.
Dialogue: 0,0:02:26.56,0:02:27.93,Default,,0000,0000,0000,,Be on the watch.
Dialogue: 0,0:02:28.50,0:02:30.52,Default,,0000,0000,0000,,The gods will offer you chances.
Dialogue: 0,0:02:31.08,0:02:33.54,Default,,0000,0000,0000,,Know them. Take them.
Dialogue: 0,0:02:34.20,0:02:38.68,Default,,0000,0000,0000,,You can't beat death, \Nbut you can beat death in life sometimes.
Dialogue: 0,0:02:39.78,0:02:41.92,Default,,0000,0000,0000,,And the more often you learn to do it,
Dialogue: 0,0:02:42.64,0:02:44.33,Default,,0000,0000,0000,,the more light there will be.
Dialogue: 0,0:02:45.25,0:02:46.79,Default,,0000,0000,0000,,Your life is your life.
Dialogue: 0,0:02:47.21,0:02:48.76,Default,,0000,0000,0000,,Know it while you have it.
Dialogue: 0,0:02:49.55,0:02:51.24,Default,,0000,0000,0000,,You are marvelous.
Dialogue: 0,0:02:52.52,0:02:54.90,Default,,0000,0000,0000,,The gods wait to delight in you.
Dialogue: 0,0:03:03.09,0:03:05.97,Default,,0000,0000,0000,,Rascal was a wildcat \Nwhen it was four degrees outside.
Dialogue: 0,0:03:06.89,0:03:09.66,Default,,0000,0000,0000,,When I moved in she'd stand \Nwith me in winter and rain,
Dialogue: 0,0:03:09.66,0:03:12.10,Default,,0000,0000,0000,,sleep with me, mostly outside.
Dialogue: 0,0:03:12.84,0:03:15.08,Default,,0000,0000,0000,,Hunter, I never tried to break her spirit.
Dialogue: 0,0:03:17.05,0:03:18.68,Default,,0000,0000,0000,,Hit by a car in front of me.
Dialogue: 0,0:03:19.56,0:03:20.76,Default,,0000,0000,0000,,I was shocked.
Dialogue: 0,0:03:21.62,0:03:24.28,Default,,0000,0000,0000,,I buried her by cat litter and wild food,
Dialogue: 0,0:03:24.28,0:03:26.53,Default,,0000,0000,0000,,her sunshine place \Ncould only dig the stones
Dialogue: 0,0:03:26.53,0:03:29.95,Default,,0000,0000,0000,,because of city sewage pipes \Nabout three or four feet.
Dialogue: 0,0:03:30.100,0:03:35.18,Default,,0000,0000,0000,,I wish it was deeper, next to keep \Nother animals from digging her up.
Dialogue: 0,0:03:35.18,0:03:36.68,Default,,0000,0000,0000,,When I find stones, I'll cover up
Dialogue: 0,0:03:36.68,0:03:39.23,Default,,0000,0000,0000,,[inaudible] begin to swell.
Dialogue: 0,0:03:39.23,0:03:42.14,Default,,0000,0000,0000,,If so, I'll put more soil on top.
Dialogue: 0,0:03:43.12,0:03:47.10,Default,,0000,0000,0000,,First, cat and friend.
Dialogue: 0,0:03:51.29,0:03:53.78,Default,,0000,0000,0000,,Hi. Yeah.
Dialogue: 0,0:03:54.92,0:03:57.16,Default,,0000,0000,0000,,I saw you last night. Hmm.
Dialogue: 0,0:03:58.09,0:04:00.26,Default,,0000,0000,0000,,I was in the club. Yup.
Dialogue: 0,0:04:01.76,0:04:03.21,Default,,0000,0000,0000,,I saw who you were with too.
Dialogue: 0,0:04:04.11,0:04:05.99,Default,,0000,0000,0000,,She was holding you so tight.
Dialogue: 0,0:04:06.26,0:04:07.96,Default,,0000,0000,0000,,Because she knows you want me.
Dialogue: 0,0:04:09.60,0:04:12.26,Default,,0000,0000,0000,,Oh, naw. She can't love you.
Dialogue: 0,0:04:12.100,0:04:14.65,Default,,0000,0000,0000,,She can't love you like I do.
Dialogue: 0,0:04:16.35,0:04:19.42,Default,,0000,0000,0000,,I said to myself that \Nyou must be out of your mind.
Dialogue: 0,0:04:19.42,0:04:20.95,Default,,0000,0000,0000,,You were there with somebody else.
Dialogue: 0,0:04:20.95,0:04:22.69,Default,,0000,0000,0000,,You know you're wasting your time.
Dialogue: 0,0:04:23.81,0:04:24.100,Default,,0000,0000,0000,,Oh, no.
Dialogue: 0,0:04:24.100,0:04:26.44,Default,,0000,0000,0000,,But she can't love you.
Dialogue: 0,0:04:27.06,0:04:28.78,Default,,0000,0000,0000,,She can't love you like I do.
Dialogue: 0,0:04:29.84,0:04:32.100,Default,,0000,0000,0000,,You're missing my beat\Nand I'm needing your moves.
Dialogue: 0,0:04:34.15,0:04:37.05,Default,,0000,0000,0000,,Let's give it one more try.\NLet's get back in the groove.
Dialogue: 0,0:04:37.68,0:04:39.36,Default,,0000,0000,0000,,Because she can't love you.
Dialogue: 0,0:04:40.96,0:04:42.76,Default,,0000,0000,0000,,She can't love you like I do.
Dialogue: 0,0:04:47.31,0:04:49.75,Default,,0000,0000,0000,,When I was younger, \Nmy father was the producer
Dialogue: 0,0:04:49.75,0:04:53.64,Default,,0000,0000,0000,,of a transvestite troupe\Nand it seemed a dream for me
Dialogue: 0,0:04:53.64,0:04:56.20,Default,,0000,0000,0000,,to be able to observe \Nwhat was behind the curtain.
Dialogue: 0,0:04:56.86,0:04:59.82,Default,,0000,0000,0000,,I think this is when it all started,\Nwhile growing up.
Dialogue: 0,0:04:59.82,0:05:01.82,Default,,0000,0000,0000,,I kept on searching \Nfor this feeling of wonder,
Dialogue: 0,0:05:01.82,0:05:03.74,Default,,0000,0000,0000,,this taste for metamorphosis.
Dialogue: 0,0:05:04.79,0:05:08.20,Default,,0000,0000,0000,,I direct speak of cabarets,\Nshows, or even strange.
Dialogue: 0,0:05:08.54,0:05:12.45,Default,,0000,0000,0000,,From video to another, \Noff the same protagonist progresses
Dialogue: 0,0:05:12.45,0:05:16.02,Default,,0000,0000,0000,,in this mysterious \Nand phantasmagorical universe.
Dialogue: 0,0:05:16.02,0:05:19.18,Default,,0000,0000,0000,,I consider my videos as living paintings.
Dialogue: 0,0:05:19.18,0:05:22.01,Default,,0000,0000,0000,,I use the camera \Nas a painter with his brushes.
Dialogue: 0,0:05:24.57,0:05:26.24,Default,,0000,0000,0000,,What could my world be made of?
Dialogue: 0,0:05:29.78,0:05:33.45,Default,,0000,0000,0000,,Red. Green. Blue.
Dialogue: 0,0:05:35.72,0:05:39.26,Default,,0000,0000,0000,,Red. Green. Blue.
Dialogue: 0,0:05:41.16,0:05:44.41,Default,,0000,0000,0000,,Red. Green. Blue.
Dialogue: 0,0:05:48.78,0:05:52.11,Default,,0000,0000,0000,,If you want to turn yourself \Ninto a proud samurai warrior,
Dialogue: 0,0:05:52.11,0:05:54.71,Default,,0000,0000,0000,,you need the katana samurai sword.
Dialogue: 0,0:05:54.71,0:05:57.87,Default,,0000,0000,0000,,This high-quality plastic weapon \Nis a Japanese long sword
Dialogue: 0,0:05:57.87,0:06:01.64,Default,,0000,0000,0000,,which will look just perfect \Nwith your traditional Japanese hakama
Dialogue: 0,0:06:01.64,0:06:03.80,Default,,0000,0000,0000,,and the traditional Japanese geta.
Dialogue: 0,0:06:03.80,0:06:06.42,Default,,0000,0000,0000,,And add the finishing touch \Nto your Asian outfit:
Dialogue: 0,0:06:06.42,0:06:08.44,Default,,0000,0000,0000,,the black and gold katana samurai sword
Dialogue: 0,0:06:08.44,0:06:10.55,Default,,0000,0000,0000,,comes with a matching black scabbard
Dialogue: 0,0:06:10.55,0:06:12.54,Default,,0000,0000,0000,,so it can be stored safely.
Dialogue: 0,0:06:12.54,0:06:14.77,Default,,0000,0000,0000,,The Japanese sword \Nwill protect you in fights
Dialogue: 0,0:06:14.77,0:06:17.27,Default,,0000,0000,0000,,and is sure to make you \Nan eye-catcher in any party.
Dialogue: 0,0:06:17.27,0:06:20.16,Default,,0000,0000,0000,,Size length, 105 centimeters.
Dialogue: 0,0:06:20.16,0:06:22.63,Default,,0000,0000,0000,,Blade length, 70 centimeters.
Dialogue: 0,0:06:22.63,0:06:24.58,Default,,0000,0000,0000,,Material, plastic.
Dialogue: 0,0:06:29.94,0:06:33.28,Default,,0000,0000,0000,,Yeah, so... a couple years ago
Dialogue: 0,0:06:33.28,0:06:35.78,Default,,0000,0000,0000,,a bunch of us went down to the beach
Dialogue: 0,0:06:35.78,0:06:41.07,Default,,0000,0000,0000,,and we got there and coast guards running
Dialogue: 0,0:06:41.07,0:06:43.22,Default,,0000,0000,0000,,all up and down the sand like,\N"You can't get in the water."
Dialogue: 0,0:06:43.22,0:06:44.91,Default,,0000,0000,0000,,You know?\NScreaming at us.
Dialogue: 0,0:06:45.54,0:06:47.72,Default,,0000,0000,0000,,So we waited a bit and they went \Nfurther down the beach
Dialogue: 0,0:06:47.72,0:06:49.63,Default,,0000,0000,0000,,and then we decided we would go.
Dialogue: 0,0:06:49.63,0:06:51.50,Default,,0000,0000,0000,,Like, what the fuck?\NWhy did we come here?
Dialogue: 0,0:06:51.50,0:06:55.76,Default,,0000,0000,0000,,So my buddy went down there and he's like,
Dialogue: 0,0:06:55.76,0:06:57.35,Default,,0000,0000,0000,,"All good, come down here, man."
Dialogue: 0,0:06:57.35,0:07:00.46,Default,,0000,0000,0000,,So I walked over and we looked down.
Dialogue: 0,0:07:00.46,0:07:02.04,Default,,0000,0000,0000,,And we couldn't see it \Nfrom where we were parked,
Dialogue: 0,0:07:02.04,0:07:04.47,Default,,0000,0000,0000,,but when we looked down, \Nwe were really close,
Dialogue: 0,0:07:04.47,0:07:07.07,Default,,0000,0000,0000,,you looked down and there \Njust all these fucking jellyfish.
Dialogue: 0,0:07:07.07,0:07:11.26,Default,,0000,0000,0000,,Like, one every... like all over the place.
Dialogue: 0,0:07:11.26,0:07:13.62,Default,,0000,0000,0000,,One every two or three feet.
Dialogue: 0,0:07:13.62,0:07:16.59,Default,,0000,0000,0000,,And from where we were standing,\Nyou couldn't really tell
Dialogue: 0,0:07:17.26,0:07:20.16,Default,,0000,0000,0000,,if they were living or dead, you know?
Dialogue: 0,0:07:20.16,0:07:22.05,Default,,0000,0000,0000,,'Cause some of them were still moving,
Dialogue: 0,0:07:22.05,0:07:26.66,Default,,0000,0000,0000,,but then others were just totally limp.
Dialogue: 0,0:07:30.80,0:07:34.23,Default,,0000,0000,0000,,So... tell me what it's like \Ngrowing up in Singapore.
Dialogue: 0,0:07:38.73,0:07:43.55,Default,,0000,0000,0000,,Well, we had... I had \Nthese really magnificent memories
Dialogue: 0,0:07:43.55,0:07:45.41,Default,,0000,0000,0000,,of my childhood.
Dialogue: 0,0:07:45.41,0:07:48.19,Default,,0000,0000,0000,,We had these magnificent playgrounds.
Dialogue: 0,0:07:49.78,0:07:51.73,Default,,0000,0000,0000,,There was, like, these big watermelons.
Dialogue: 0,0:07:54.21,0:07:58.17,Default,,0000,0000,0000,,I remember I used to climb \Nto the top of the watermelon
Dialogue: 0,0:07:58.17,0:08:00.82,Default,,0000,0000,0000,,and I'd rub myself on the ridges
Dialogue: 0,0:08:01.44,0:08:02.87,Default,,0000,0000,0000,,to give myself pleasure.
Dialogue: 0,0:08:12.21,0:08:14.64,Default,,0000,0000,0000,,You think we could fall \Nin love on the internet?
Dialogue: 0,0:08:20.93,0:08:21.96,Default,,0000,0000,0000,,No.
Dialogue: 0,0:08:26.19,0:08:28.99,Default,,0000,0000,0000,,'Cause it wouldn't be love.\NIt'd just be porn.
Dialogue: 0,0:08:31.51,0:08:32.79,Default,,0000,0000,0000,,I don't think so.
Dialogue: 0,0:08:36.44,0:08:40.97,Default,,0000,0000,0000,,Seen from a distance,\Nalmost everything looks beautiful.
Dialogue: 0,0:08:40.97,0:08:45.16,Default,,0000,0000,0000,,As the distance increases, \Nthe more you romanticize.
Dialogue: 0,0:08:45.16,0:08:49.54,Default,,0000,0000,0000,,All the small details from \Nthe everyday reminisces the past.
Dialogue: 0,0:08:49.54,0:08:53.51,Default,,0000,0000,0000,,Because things we want to forget \Nare the things we can never forget.
Dialogue: 0,0:08:59.33,0:09:00.51,Default,,0000,0000,0000,,DO IT!
Dialogue: 0,0:09:01.50,0:09:03.12,Default,,0000,0000,0000,,JUST DO IT!
Dialogue: 0,0:09:04.31,0:09:06.93,Default,,0000,0000,0000,,Don't let your dreams be dreams.
Dialogue: 0,0:09:07.31,0:09:09.26,Default,,0000,0000,0000,,Yesterday you said tomorrow.
Dialogue: 0,0:09:09.26,0:09:11.50,Default,,0000,0000,0000,,So just DO IT!
Dialogue: 0,0:09:11.50,0:09:13.92,Default,,0000,0000,0000,,Make your dreams come true!
Dialogue: 0,0:09:13.92,0:09:16.06,Default,,0000,0000,0000,,Just DO IT!
Dialogue: 0,0:09:18.59,0:09:21.48,Default,,0000,0000,0000,,Some people dream of success\Nwhile you're gonna wake up
Dialogue: 0,0:09:21.48,0:09:22.86,Default,,0000,0000,0000,,and work hard at it!
Dialogue: 0,0:09:22.86,0:09:24.80,Default,,0000,0000,0000,,Nothing is impossible.
Dialogue: 0,0:09:26.44,0:09:29.80,Default,,0000,0000,0000,,You should get to the point\Nwhere anyone else would quit
Dialogue: 0,0:09:29.80,0:09:31.86,Default,,0000,0000,0000,,and you're not gonna stop there.
Dialogue: 0,0:09:32.39,0:09:34.19,Default,,0000,0000,0000,,No, what are you waiting for?
Dialogue: 0,0:09:35.23,0:09:36.51,Default,,0000,0000,0000,,DO IT!
Dialogue: 0,0:09:38.09,0:09:41.04,Default,,0000,0000,0000,,Just... DO IT!
Dialogue: 0,0:09:41.19,0:09:42.59,Default,,0000,0000,0000,,Yes, you can!
Dialogue: 0,0:09:42.98,0:09:44.35,Default,,0000,0000,0000,,Just do it.
Dialogue: 0,0:09:48.86,0:09:53.74,Default,,0000,0000,0000,,If you're tired of starting over,\Nstop giving up.
Dialogue: 0,0:10:02.56,0:10:05.42,Default,,0000,0000,0000,,Emerging gaming technologies \Noperate within a nexus
Dialogue: 0,0:10:05.42,0:10:08.98,Default,,0000,0000,0000,,of social relationships that \Ncharacterize the modern world.
Dialogue: 0,0:10:08.98,0:10:11.33,Default,,0000,0000,0000,,These technologies enable \Na constant commentary
Dialogue: 0,0:10:11.33,0:10:13.83,Default,,0000,0000,0000,,which has become \Nthe quintessential quality of power,
Dialogue: 0,0:10:13.83,0:10:16.68,Default,,0000,0000,0000,,often operating as mechanisms \Nthat dictate our action
Dialogue: 0,0:10:16.68,0:10:19.13,Default,,0000,0000,0000,,and pre-ordain our expectations.
Dialogue: 0,0:10:19.13,0:10:21.63,Default,,0000,0000,0000,,The work interrogates \Nthe cultural logic of feedback
Dialogue: 0,0:10:21.63,0:10:24.43,Default,,0000,0000,0000,,as a metaphor and material condition.
Dialogue: 0,0:10:24.43,0:10:29.04,Default,,0000,0000,0000,,It is live, cybernetic, reactive.
Dialogue: 0,0:10:29.04,0:10:33.40,Default,,0000,0000,0000,,Sensory data translated \Nthrough visual and tactile apparatus.
Dialogue: 0,0:10:33.40,0:10:37.30,Default,,0000,0000,0000,,Disillusion of the virtual \Nand corporeal boundary,
Dialogue: 0,0:10:37.30,0:10:42.67,Default,,0000,0000,0000,,reorienting perspective of the existing\Nand the alternative space and time.
Dialogue: 0,0:10:42.67,0:10:46.08,Default,,0000,0000,0000,,An avatar in symbiosis with the subject,
Dialogue: 0,0:10:46.08,0:10:49.94,Default,,0000,0000,0000,,taking the lead in a continuous loop \Nof action and reaction.
Dialogue: 0,0:10:57.53,0:10:59.30,Default,,0000,0000,0000,,We're surrounded by forms.
Dialogue: 0,0:11:01.72,0:11:03.65,Default,,0000,0000,0000,,Yet it's still so elusive, right?
Dialogue: 0,0:11:04.99,0:11:08.53,Default,,0000,0000,0000,,You know, sometimes it feels \Nlike we fill that void between us
Dialogue: 0,0:11:08.53,0:11:10.74,Default,,0000,0000,0000,,with something that grows slowly,
Dialogue: 0,0:11:10.74,0:11:12.62,Default,,0000,0000,0000,,like it's overtaking us or something.
Dialogue: 0,0:11:13.96,0:11:16.41,Default,,0000,0000,0000,,Through the way we speak,\Nor what we do,
Dialogue: 0,0:11:16.41,0:11:17.79,Default,,0000,0000,0000,,where we put stuff around us,
Dialogue: 0,0:11:17.79,0:11:21.53,Default,,0000,0000,0000,,even the stances we inhabit\Nor the faces we make
Dialogue: 0,0:11:21.53,0:11:23.95,Default,,0000,0000,0000,,or even the body parts, you know?
Dialogue: 0,0:11:23.95,0:11:25.79,Default,,0000,0000,0000,,The food we eat. Whatever.
Dialogue: 0,0:11:25.79,0:11:29.43,Default,,0000,0000,0000,,Sometimes it gets heavier, you know?
Dialogue: 0,0:11:30.40,0:11:33.25,Default,,0000,0000,0000,,Or more light, but \Nit's like all the distinctions
Dialogue: 0,0:11:33.25,0:11:36.20,Default,,0000,0000,0000,,are starting to melt away.
Dialogue: 0,0:11:36.20,0:11:39.91,Default,,0000,0000,0000,,The forms, the resemblances,\Nthe symmetries,
Dialogue: 0,0:11:39.91,0:11:42.69,Default,,0000,0000,0000,,the repetitions, the patterns.
Dialogue: 0,0:11:42.69,0:11:45.72,Default,,0000,0000,0000,,Patterns that we know we have always had,
Dialogue: 0,0:11:45.72,0:11:48.52,Default,,0000,0000,0000,,that have always been there\Nand we're not sure why.
Dialogue: 0,0:11:49.23,0:11:54.92,Default,,0000,0000,0000,,And now... the outside looks \Nmore and more like the images
Dialogue: 0,0:11:54.92,0:11:57.23,Default,,0000,0000,0000,,that were contained in us \Nsince the beginning.
Dialogue: 0,0:12:04.05,0:12:06.35,Default,,0000,0000,0000,,Hi. Thank you for waiting.
Dialogue: 0,0:12:06.61,0:12:09.16,Default,,0000,0000,0000,,We've been running \Na little bit behind today.
Dialogue: 0,0:12:09.82,0:12:11.07,Default,,0000,0000,0000,,Right.
Dialogue: 0,0:12:11.07,0:12:13.44,Default,,0000,0000,0000,,As you know, we've taken a few readings
Dialogue: 0,0:12:13.44,0:12:15.29,Default,,0000,0000,0000,,and these get sent away.
Dialogue: 0,0:12:15.29,0:12:17.65,Default,,0000,0000,0000,,We have a look at them.\NWe meet, a group of us.
Dialogue: 0,0:12:17.65,0:12:19.86,Default,,0000,0000,0000,,Many years of experience.
Dialogue: 0,0:12:19.86,0:12:22.25,Default,,0000,0000,0000,,We have a look and we see what we can see.
Dialogue: 0,0:12:22.25,0:12:23.71,Default,,0000,0000,0000,,Does that make sense?
Dialogue: 0,0:12:23.71,0:12:25.06,Default,,0000,0000,0000,,If I ju--
Dialogue: 0,0:12:26.28,0:12:28.15,Default,,0000,0000,0000,,If you just have a look here, really...
Dialogue: 0,0:12:29.78,0:12:34.53,Default,,0000,0000,0000,,The system's really slow, \Nso it's a case of monitoring.
Dialogue: 0,0:12:35.06,0:12:36.98,Default,,0000,0000,0000,,And you monitoring \Nand you just letting us know
Dialogue: 0,0:12:36.98,0:12:39.03,Default,,0000,0000,0000,,if you notice anything unusual.
Dialogue: 0,0:12:39.03,0:12:40.93,Default,,0000,0000,0000,,Would you be able to do this?
Dialogue: 0,0:12:41.81,0:12:42.73,Default,,0000,0000,0000,,Hmm?
Dialogue: 0,0:12:46.01,0:12:47.48,Default,,0000,0000,0000,,You have any questions?
Dialogue: 0,0:12:54.82,0:12:55.85,Default,,0000,0000,0000,,Double.
Dialogue: 0,0:12:57.12,0:12:58.26,Default,,0000,0000,0000,,Double-sided.
Dialogue: 0,0:12:58.81,0:13:01.61,Default,,0000,0000,0000,,Minds. Different paths.
Dialogue: 0,0:13:02.14,0:13:06.24,Default,,0000,0000,0000,,One runs after sunlight,\None follows the rising moon.
Dialogue: 0,0:13:06.24,0:13:09.43,Default,,0000,0000,0000,,They either congregate, \Nconnect, intersect, touch,
Dialogue: 0,0:13:09.43,0:13:12.87,Default,,0000,0000,0000,,unite at sunset for eclipses...
Dialogue: 0,0:13:12.87,0:13:15.79,Default,,0000,0000,0000,,play and then separate \Nfor long interstices.
Dialogue: 0,0:13:16.31,0:13:20.81,Default,,0000,0000,0000,,Later, re-enacting past meetings \Nforever lost in repetition.
Dialogue: 0,0:13:25.05,0:13:28.99,Default,,0000,0000,0000,,Ebb and flow, edging closer.
Dialogue: 0,0:13:29.79,0:13:31.41,Default,,0000,0000,0000,,Expanding warmth.
Dialogue: 0,0:13:32.12,0:13:34.99,Default,,0000,0000,0000,,That point just before the pressure bursts.
Dialogue: 0,0:13:35.93,0:13:37.64,Default,,0000,0000,0000,,Capillary rush.
Dialogue: 0,0:13:38.48,0:13:41.42,Default,,0000,0000,0000,,Tension. Resisting.
Dialogue: 0,0:13:42.35,0:13:48.70,Default,,0000,0000,0000,,Each muscle, each limb, \Neach breath under control for now.
Dialogue: 0,0:13:49.62,0:13:52.66,Default,,0000,0000,0000,,Questions of limitations \Ndissolve into the blur.
Dialogue: 0,0:13:53.23,0:13:55.81,Default,,0000,0000,0000,,Eyes open, but horizons fall away.
Dialogue: 0,0:13:56.39,0:13:58.26,Default,,0000,0000,0000,,The burn increases now.
Dialogue: 0,0:13:58.60,0:13:59.65,Default,,0000,0000,0000,,(Shia grunts)
Dialogue: 0,0:13:59.65,0:14:01.27,Default,,0000,0000,0000,,The pain sensors...
Dialogue: 0,0:14:02.32,0:14:04.85,Default,,0000,0000,0000,,one of you escapes, but I pull you back.
Dialogue: 0,0:14:05.57,0:14:07.54,Default,,0000,0000,0000,,Heh. Duality.
Dialogue: 0,0:14:08.30,0:14:10.90,Default,,0000,0000,0000,,Existing only as a whole.
Dialogue: 0,0:14:11.50,0:14:13.88,Default,,0000,0000,0000,,Weakened by quivering joints.
Dialogue: 0,0:14:13.88,0:14:18.22,Default,,0000,0000,0000,,Lungs push for release,\Na struggle to hold on.
Dialogue: 0,0:14:19.20,0:14:24.30,Default,,0000,0000,0000,,Control surrendered, suspended in dullness.
Dialogue: 0,0:14:25.19,0:14:26.86,Default,,0000,0000,0000,,Eyes close.
Dialogue: 0,0:14:28.70,0:14:29.89,Default,,0000,0000,0000,,Now numb.
Dialogue: 0,0:14:33.96,0:14:39.32,Default,,0000,0000,0000,,Running, reaching, falling, \Nskipping, turning, sliding, walking.
Dialogue: 0,0:14:39.50,0:14:42.69,Default,,0000,0000,0000,,These are all words \Nthat describe ways of moving.
Dialogue: 0,0:14:42.69,0:14:45.94,Default,,0000,0000,0000,,Each action is packed \Nwith many micro-movements.
Dialogue: 0,0:14:45.94,0:14:49.36,Default,,0000,0000,0000,,It's hard for us to recognize \Nthese small movements individually.
Dialogue: 0,0:14:49.36,0:14:52.29,Default,,0000,0000,0000,,When describing how to walk, \Nwe use the simplest terms possible
Dialogue: 0,0:14:52.29,0:14:55.64,Default,,0000,0000,0000,,and struggle to explain all \Nthe mechanics of a simple movement.
Dialogue: 0,0:14:55.64,0:14:58.32,Default,,0000,0000,0000,,Understanding body movement \Nin the terms of everyday language
Dialogue: 0,0:14:58.32,0:15:01.38,Default,,0000,0000,0000,,should be simple, however \Nour muscle memory takes over
Dialogue: 0,0:15:01.38,0:15:03.49,Default,,0000,0000,0000,,for our brain and our body \Nbecomes a strange system
Dialogue: 0,0:15:03.49,0:15:07.19,Default,,0000,0000,0000,,of levers and pulleys \Nthat maneuver by our command.
Dialogue: 0,0:15:11.63,0:15:13.55,Default,,0000,0000,0000,,She sits.
Dialogue: 0,0:15:15.73,0:15:17.04,Default,,0000,0000,0000,,I squirt toothpaste in my mouth.
Dialogue: 0,0:15:17.41,0:15:18.54,Default,,0000,0000,0000,,I start to brush.
Dialogue: 0,0:15:18.74,0:15:20.71,Default,,0000,0000,0000,,She's looking at me.\NI look at her.
Dialogue: 0,0:15:20.71,0:15:22.34,Default,,0000,0000,0000,,I keep brushing whilst looking.
Dialogue: 0,0:15:22.34,0:15:24.91,Default,,0000,0000,0000,,I'll start looking at her.\NShe looks at me
Dialogue: 0,0:15:24.91,0:15:27.73,Default,,0000,0000,0000,,and I continue to brush, \Ngetting faster, getting harder.
Dialogue: 0,0:15:27.73,0:15:30.81,Default,,0000,0000,0000,,I start to gag.
Dialogue: 0,0:15:30.81,0:15:34.15,Default,,0000,0000,0000,,My eyes leak and I still look at her.
Dialogue: 0,0:15:34.15,0:15:37.80,Default,,0000,0000,0000,,She looks at me and I keep brushing, gaggin.
Dialogue: 0,0:15:37.80,0:15:40.35,Default,,0000,0000,0000,,I feel like I'm gonna be sick.
Dialogue: 0,0:15:40.35,0:15:42.32,Default,,0000,0000,0000,,Am I gonna be sick?
Dialogue: 0,0:15:42.32,0:15:48.42,Default,,0000,0000,0000,,Gagging! Paste down my face, \Nmy hair, on my shirt.
Dialogue: 0,0:15:48.42,0:15:54.43,Default,,0000,0000,0000,,Dripping, and I still look at her\Nand she looks at me.
Dialogue: 0,0:15:55.36,0:15:56.58,Default,,0000,0000,0000,,Enough.
Dialogue: 0,0:16:04.18,0:16:08.51,Default,,0000,0000,0000,,The sculpture, the painter,\Nthe video maker,
Dialogue: 0,0:16:08.51,0:16:12.34,Default,,0000,0000,0000,,the figure of the artist has been \Nas fetishized in Western culture
Dialogue: 0,0:16:12.34,0:16:15.82,Default,,0000,0000,0000,,as the Hollywood actor,\Nthe town drunk or the Messiah himself.
Dialogue: 0,0:16:15.82,0:16:19.37,Default,,0000,0000,0000,,[Michael Peter's take shots],\Nattempts to reconfigure
Dialogue: 0,0:16:19.37,0:16:23.36,Default,,0000,0000,0000,,the concept of creator or creatrix\Nby placing himself in the position
Dialogue: 0,0:16:23.36,0:16:25.27,Default,,0000,0000,0000,,of artist as meme.
Dialogue: 0,0:16:25.27,0:16:29.05,Default,,0000,0000,0000,,Watch, enjoy, and be one.
Dialogue: 0,0:16:31.06,0:16:32.47,Default,,0000,0000,0000,,We are all children of the universe.
Dialogue: 0,0:16:51.94,0:16:53.44,Default,,0000,0000,0000,,Yeah, absolutely.
Dialogue: 0,0:16:54.79,0:16:57.17,Default,,0000,0000,0000,,I feel my absence \Nin the absence of all things.
Dialogue: 0,0:17:01.46,0:17:05.58,Default,,0000,0000,0000,,Belief in living has been \Ncontorted into this shortened life
Dialogue: 0,0:17:05.58,0:17:08.17,Default,,0000,0000,0000,,of contempt and pre-determined in prison.
Dialogue: 0,0:17:08.17,0:17:09.55,Default,,0000,0000,0000,,And I...
Dialogue: 0,0:17:09.55,0:17:13.68,Default,,0000,0000,0000,,(sighs)
Dialogue: 0,0:17:14.94,0:17:16.14,Default,,0000,0000,0000,,I feel it all collapsing.
Dialogue: 0,0:17:18.31,0:17:20.84,Default,,0000,0000,0000,,I CAN'T FUCKING EMBRACE IT!
Dialogue: 0,0:17:25.39,0:17:26.82,Default,,0000,0000,0000,,(sighs)
Dialogue: 0,0:17:30.32,0:17:31.62,Default,,0000,0000,0000,,(sighs)
Dialogue: 0,0:17:40.70,0:17:44.32,Default,,0000,0000,0000,,[It's near] and here I stand...
Dialogue: 0,0:17:48.61,0:17:52.18,Default,,0000,0000,0000,,wasting my last moments, \Ncursing thee who impress me this
Dialogue: 0,0:17:52.18,0:17:53.73,Default,,0000,0000,0000,,[your fate].
Dialogue: 0,0:17:56.68,0:17:57.98,Default,,0000,0000,0000,,You give nothing.
Dialogue: 0,0:17:58.21,0:18:00.28,Default,,0000,0000,0000,,No mercy, no empathy.
Dialogue: 0,0:18:02.20,0:18:03.52,Default,,0000,0000,0000,,Only self-hate.
Dialogue: 0,0:18:03.74,0:18:05.44,Default,,0000,0000,0000,,To you, I'm just a fucking plaything.
Dialogue: 0,0:18:05.71,0:18:08.05,Default,,0000,0000,0000,,An amusement replicating the cries of man.
Dialogue: 0,0:18:08.05,0:18:11.47,Default,,0000,0000,0000,,You replay the last moments \Nof my life over and over and over!
Dialogue: 0,0:18:11.47,0:18:15.23,Default,,0000,0000,0000,,I'm just a fucking charade \Nsuspended at the core of ridicule
Dialogue: 0,0:18:15.23,0:18:19.61,Default,,0000,0000,0000,,and I pity for those whose end mirrors mine
Dialogue: 0,0:18:19.61,0:18:21.58,Default,,0000,0000,0000,,and I pity myself.
Dialogue: 0,0:18:21.58,0:18:24.98,Default,,0000,0000,0000,,(sniffles)
Dialogue: 0,0:18:27.03,0:18:28.37,Default,,0000,0000,0000,,I'm helpless.
Dialogue: 0,0:18:29.60,0:18:30.77,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:18:37.79,0:18:40.81,Default,,0000,0000,0000,,I'm tormented by the inescapable
Dialogue: 0,0:18:40.81,0:18:44.69,Default,,0000,0000,0000,,rewinding collapse.
Dialogue: 0,0:18:49.12,0:18:50.49,Default,,0000,0000,0000,,Don't let them see me like this.
Dialogue: 0,0:18:53.67,0:18:54.100,Default,,0000,0000,0000,,Man is under surveillance.
Dialogue: 0,0:18:56.34,0:18:57.44,Default,,0000,0000,0000,,Where is he going?
Dialogue: 0,0:18:58.40,0:19:01.21,Default,,0000,0000,0000,,Almost into a state of euphoria, of relief,
Dialogue: 0,0:19:01.21,0:19:03.05,Default,,0000,0000,0000,,as though he's happy about it.
Dialogue: 0,0:19:03.05,0:19:06.08,Default,,0000,0000,0000,,He has to act as a looking glass\Nrather than a mirror
Dialogue: 0,0:19:06.08,0:19:07.98,Default,,0000,0000,0000,,of social conventions.
Dialogue: 0,0:19:07.98,0:19:12.10,Default,,0000,0000,0000,,He disintegrated perfectly,\Nbut never reappeared.
Dialogue: 0,0:19:12.10,0:19:15.50,Default,,0000,0000,0000,,He became translucent to reveal his reality.
Dialogue: 0,0:19:15.50,0:19:20.11,Default,,0000,0000,0000,,It's impossible unless he is, \Nor was, insane.
Dialogue: 0,0:19:20.11,0:19:25.47,Default,,0000,0000,0000,,He changed his mind.\NYou know how men are.
Dialogue: 0,0:19:25.47,0:19:29.66,Default,,0000,0000,0000,,Perhaps it symbolizes something deep \Nin the subconscious.
Dialogue: 0,0:19:30.05,0:19:37.57,Default,,0000,0000,0000,,(silence until 19:43)
Dialogue: 0,0:19:43.80,0:19:45.74,Default,,0000,0000,0000,,Feeling genuinely upset.
Dialogue: 0,0:19:49.97,0:19:51.98,Default,,0000,0000,0000,,Tears [level]. Hmm.
Dialogue: 0,0:19:57.48,0:19:58.67,Default,,0000,0000,0000,,Shame on me.
Dialogue: 0,0:20:00.38,0:20:02.83,Default,,0000,0000,0000,,My face is [receptical] on surface.
Dialogue: 0,0:20:02.83,0:20:06.36,Default,,0000,0000,0000,,A surface that's throwing up \Nwhat's already there.
Dialogue: 0,0:20:07.87,0:20:09.71,Default,,0000,0000,0000,,[Wet ware and ? stuff].
Dialogue: 0,0:20:09.71,0:20:14.49,Default,,0000,0000,0000,,Confrontation is post. Preferably.
Dialogue: 0,0:20:14.49,0:20:17.64,Default,,0000,0000,0000,,Living in [?] like over and under.
Dialogue: 0,0:20:17.64,0:20:20.77,Default,,0000,0000,0000,,With grapple here \Nis approaching confrontation.
Dialogue: 0,0:20:20.77,0:20:23.12,Default,,0000,0000,0000,,Or surface lump rolled out.
Dialogue: 0,0:20:23.12,0:20:29.71,Default,,0000,0000,0000,,You go through the dump \Nto form a projectile semi-bound
Dialogue: 0,0:20:29.71,0:20:31.86,Default,,0000,0000,0000,,like protest song collapsed.
Dialogue: 0,0:20:31.86,0:20:35.33,Default,,0000,0000,0000,,Needs filled for no other.
Dialogue: 0,0:20:36.39,0:20:38.96,Default,,0000,0000,0000,,Forced partly forever as long \Nas I leave you together.
Dialogue: 0,0:20:42.14,0:20:43.31,Default,,0000,0000,0000,,Art hits.
Dialogue: 0,0:20:45.37,0:20:46.69,Default,,0000,0000,0000,,Whatever I point at is big.
Dialogue: 0,0:20:52.60,0:21:33.49,Default,,0000,0000,0000,,Snapped leg. Snapped leg. (until 21:35)
Dialogue: 0,0:21:36.90,0:21:38.92,Default,,0000,0000,0000,,Chalk circle.
Dialogue: 0,0:21:38.92,0:21:42.24,Default,,0000,0000,0000,,Another one of those days where you think,\N"Shit, I've done nothing today."
Dialogue: 0,0:21:42.24,0:21:43.42,Default,,0000,0000,0000,,This London Underground journey
Dialogue: 0,0:21:43.42,0:21:45.84,Default,,0000,0000,0000,,needs no excessive \Nmental activity to perform.
Dialogue: 0,0:21:46.29,0:21:48.38,Default,,0000,0000,0000,,I'm stuck in a strange \Nmodern day meditation.
Dialogue: 0,0:21:48.38,0:21:50.64,Default,,0000,0000,0000,,This space asks for an interruption.
Dialogue: 0,0:21:50.64,0:21:53.53,Default,,0000,0000,0000,,When it happens, it's a moment \Nof pure panic and confusion.
Dialogue: 0,0:21:53.53,0:21:55.93,Default,,0000,0000,0000,,All previous expectations are obliterated.
Dialogue: 0,0:21:55.93,0:21:57.72,Default,,0000,0000,0000,,[A second velation].
Dialogue: 0,0:21:57.72,0:21:59.67,Default,,0000,0000,0000,,The rules are being broken here.
Dialogue: 0,0:21:59.67,0:22:02.43,Default,,0000,0000,0000,,Quickly, it passes.
Dialogue: 0,0:22:02.43,0:22:05.92,Default,,0000,0000,0000,,I'm back in the routine.
Dialogue: 0,0:22:05.92,0:22:08.95,Default,,0000,0000,0000,,There's an expansion \Nof discovery and limitation,
Dialogue: 0,0:22:08.95,0:22:11.51,Default,,0000,0000,0000,,even if I'm thinking, \N"Fuck. This is boring"
Dialogue: 0,0:22:11.51,0:22:14.39,Default,,0000,0000,0000,,as I scribble repetitively onto the floor.
Dialogue: 0,0:22:18.71,0:22:21.88,Default,,0000,0000,0000,,Between the visible and invisible lies \Na glistening rectangular pane,
Dialogue: 0,0:22:22.83,0:22:24.67,Default,,0000,0000,0000,,a transparent veil.
Dialogue: 0,0:22:25.90,0:22:28.20,Default,,0000,0000,0000,,This thin glossy sheet of glass, \Nso innocent looking,
Dialogue: 0,0:22:28.20,0:22:30.94,Default,,0000,0000,0000,,is the frontier between \Nthe physicality of toil
Dialogue: 0,0:22:30.94,0:22:33.26,Default,,0000,0000,0000,,and the ignorance of immateriality.
Dialogue: 0,0:22:33.26,0:22:38.38,Default,,0000,0000,0000,,Liquid crystals oscillating between \Na seamless fluid and solid state
Dialogue: 0,0:22:38.38,0:22:41.64,Default,,0000,0000,0000,,produce a viscous reality \Nthat's almost palpable,
Dialogue: 0,0:22:41.64,0:22:44.97,Default,,0000,0000,0000,,almost attainable but succeeds \Nonly in abstracting.
Dialogue: 0,0:22:44.97,0:22:48.58,Default,,0000,0000,0000,,The heightened artifice \Nperpetuates [animinity],
Dialogue: 0,0:22:48.58,0:22:50.90,Default,,0000,0000,0000,,outsourced far away.
Dialogue: 0,0:22:50.90,0:22:55.38,Default,,0000,0000,0000,,Dead labor turns to capital\Nand power relations dissolve.
Dialogue: 0,0:22:55.38,0:22:58.40,Default,,0000,0000,0000,,All that is solid melts into the air.
Dialogue: 0,0:23:03.32,0:23:06.09,Default,,0000,0000,0000,,These light installations do\Nnot provide an original experience.
Dialogue: 0,0:23:07.58,0:23:09.55,Default,,0000,0000,0000,,Instead, the audience \Nwill witness occurrences
Dialogue: 0,0:23:09.55,0:23:11.90,Default,,0000,0000,0000,,they have previously encountered \Nin their everyday lives
Dialogue: 0,0:23:11.90,0:23:15.04,Default,,0000,0000,0000,,on bedroom walls, floors, \Nand through bus windows
Dialogue: 0,0:23:15.36,0:23:17.22,Default,,0000,0000,0000,,but may have never noticed.
Dialogue: 0,0:23:18.22,0:23:20.61,Default,,0000,0000,0000,,Observing, recording, \Nand recreating studies of light,
Dialogue: 0,0:23:21.50,0:23:23.86,Default,,0000,0000,0000,,this series of events are light occurrences \Nthat have captured
Dialogue: 0,0:23:23.86,0:23:26.44,Default,,0000,0000,0000,,and digitally recreated using projectors
Dialogue: 0,0:23:26.44,0:23:29.08,Default,,0000,0000,0000,,as the technology [was staged \Nthen] in this space.
Dialogue: 0,0:23:29.08,0:23:32.27,Default,,0000,0000,0000,,Do you either go noticed or unnoticed?
Dialogue: 0,0:23:37.23,0:23:41.29,Default,,0000,0000,0000,,What you're about to witness \Nis quite definitely horrible.
Dialogue: 0,0:23:42.58,0:23:45.34,Default,,0000,0000,0000,,British artist [Jack Evans], \Nwhen he was raised in Mansfield,
Dialogue: 0,0:23:45.34,0:23:50.01,Default,,0000,0000,0000,,[part of the midlands], is now one of the most \Nsouthern parts in the UK,
Dialogue: 0,0:23:50.84,0:23:52.24,Default,,0000,0000,0000,,Brighton Beach.
Dialogue: 0,0:23:52.24,0:23:55.70,Default,,0000,0000,0000,,And the hellish winter cold \Nlaid out nothing but [rains].
Dialogue: 0,0:23:55.70,0:24:00.56,Default,,0000,0000,0000,,His favorite pair of speedos \Nand a fucking tacky shit gold watch,
Dialogue: 0,0:24:00.56,0:24:04.05,Default,,0000,0000,0000,,eating what I believe \Nthose Brits call a [99 Flake].
Dialogue: 0,0:24:04.05,0:24:07.51,Default,,0000,0000,0000,,His body looks glorious \Nas it shivers in the wind.
Dialogue: 0,0:24:07.51,0:24:10.89,Default,,0000,0000,0000,,I do have to remind you, \Nespecially the ladies,
Dialogue: 0,0:24:10.89,0:24:13.66,Default,,0000,0000,0000,,it was fucking cold.
Dialogue: 0,0:24:13.66,0:24:15.76,Default,,0000,0000,0000,,Enjoy.
Dialogue: 0,0:24:20.22,0:24:22.77,Default,,0000,0000,0000,,Hold your breath.\NCount to two.
Dialogue: 0,0:24:24.28,0:24:26.49,Default,,0000,0000,0000,,Come with us in a world of pure imagination.
Dialogue: 0,0:24:27.39,0:24:30.21,Default,,0000,0000,0000,,Take a look and you'll see \Ninto our imagination.
Dialogue: 0,0:24:31.55,0:24:34.28,Default,,0000,0000,0000,,We'll begin travelling \Nin the world of our creation.
Dialogue: 0,0:24:35.57,0:24:38.03,Default,,0000,0000,0000,,What you'll see will have no explanation.
Dialogue: 0,0:24:39.32,0:24:40.78,Default,,0000,0000,0000,,Look around.
Dialogue: 0,0:24:40.92,0:24:43.58,Default,,0000,0000,0000,,There's no life to compare \Nwith living with no [pixellation].
Dialogue: 0,0:24:56.78,0:25:01.34,Default,,0000,0000,0000,,[Joe Mass] was Shia LaBeouf \Nbefore Shia LaBeouf was [Joe Mass].
Dialogue: 0,0:25:06.49,0:25:08.38,Default,,0000,0000,0000,,We only got 30 seconds, \Nso I mean, I'll try his voice
Dialogue: 0,0:25:08.38,0:25:10.100,Default,,0000,0000,0000,,but... I don't know.
Dialogue: 0,0:25:11.64,0:25:13.73,Default,,0000,0000,0000,,Who makes that choice?\NWho's pretending to be who?
Dialogue: 0,0:25:13.73,0:25:17.22,Default,,0000,0000,0000,,We're pretending to talk \Nto a you that doesn't exist yet,
Dialogue: 0,0:25:17.22,0:25:18.82,Default,,0000,0000,0000,,but what's really going on here?
Dialogue: 0,0:25:18.82,0:25:22.59,Default,,0000,0000,0000,,I... fuck, I don't think \Nany of us understand.
Dialogue: 0,0:25:22.74,0:25:24.37,Default,,0000,0000,0000,,Maybe you do.
Dialogue: 0,0:25:25.48,0:25:26.84,Default,,0000,0000,0000,,There's always reflections \Nof you in the screen,
Dialogue: 0,0:25:26.84,0:25:28.26,Default,,0000,0000,0000,,but I can't speak.\NI'm dumb.
Dialogue: 0,0:25:28.26,0:25:30.04,Default,,0000,0000,0000,,I'm the dumbest when Shia talks.
Dialogue: 0,0:25:30.04,0:25:33.16,Default,,0000,0000,0000,,Fuck, 30 seconds.\NAll right.
Dialogue: 0,0:25:33.30,0:25:34.74,Default,,0000,0000,0000,,Pressure, whatever.
Dialogue: 0,0:25:35.00,0:25:36.30,Default,,0000,0000,0000,,Hey, mom, it's really Joe.
Dialogue: 0,0:25:36.30,0:25:38.11,Default,,0000,0000,0000,,I bet you never thought\Nthis would fucking happen, huh?
Dialogue: 0,0:25:38.11,0:25:39.47,Default,,0000,0000,0000,,(chuckles)
Dialogue: 0,0:25:43.31,0:25:45.75,Default,,0000,0000,0000,,Work number 24 oscillates somewhere between
Dialogue: 0,0:25:45.75,0:25:47.87,Default,,0000,0000,0000,,a [durational] performance in live sculpture.
Dialogue: 0,0:25:48.15,0:25:51.87,Default,,0000,0000,0000,,The work seeks to act both \Nas a social and institutional critique
Dialogue: 0,0:25:51.87,0:25:55.51,Default,,0000,0000,0000,,of "What is an art school?"\Npresented then in a form
Dialogue: 0,0:25:55.51,0:25:57.37,Default,,0000,0000,0000,,of a bookshop, as opposed to a library,
Dialogue: 0,0:25:57.37,0:25:59.53,Default,,0000,0000,0000,,arguably a democratic equivalent.
Dialogue: 0,0:25:59.53,0:26:01.85,Default,,0000,0000,0000,,The work seeks to explore \Nthe currency of ideas,
Dialogue: 0,0:26:01.85,0:26:04.69,Default,,0000,0000,0000,,how trade and exchange \Nis not only [commoditized],
Dialogue: 0,0:26:04.69,0:26:07.90,Default,,0000,0000,0000,,but perhaps how conversation \Nis perhaps a vital component
Dialogue: 0,0:26:07.90,0:26:10.63,Default,,0000,0000,0000,,in the flow and disruption \Nof how culture manifests.
Dialogue: 0,0:26:15.37,0:26:17.89,Default,,0000,0000,0000,,A practice revolves around \Nquestions of fact and fiction
Dialogue: 0,0:26:17.89,0:26:19.84,Default,,0000,0000,0000,,and the blurred line that lies between.
Dialogue: 0,0:26:20.69,0:26:22.66,Default,,0000,0000,0000,,I'm interested in how surveillance images
Dialogue: 0,0:26:22.66,0:26:25.11,Default,,0000,0000,0000,,can be manipulated \Nand orchestrated in order to create
Dialogue: 0,0:26:25.11,0:26:28.18,Default,,0000,0000,0000,,a particular narrative, \Ncreating an unreliable narrator.
Dialogue: 0,0:26:28.18,0:26:30.52,Default,,0000,0000,0000,,There are three parts to the work:
Dialogue: 0,0:26:30.52,0:26:34.07,Default,,0000,0000,0000,,Footage of a factual space,\Nwhereby a sequence of events
Dialogue: 0,0:26:34.07,0:26:37.00,Default,,0000,0000,0000,,has occured, the digital \Ndrawing of the space,
Dialogue: 0,0:26:37.00,0:26:40.92,Default,,0000,0000,0000,,and a stripped-back stage \Nto its crude simplest skeletal form,
Dialogue: 0,0:26:40.92,0:26:43.25,Default,,0000,0000,0000,,where the sequence \Nof events is re-enacted.
Dialogue: 0,0:26:43.25,0:26:46.94,Default,,0000,0000,0000,,The stage is a factual representation \Nof a real life space
Dialogue: 0,0:26:46.94,0:26:49.85,Default,,0000,0000,0000,,whereby every property \Nis identical in dimensions.
Dialogue: 0,0:26:53.86,0:26:56.51,Default,,0000,0000,0000,,57,910,000.
Dialogue: 0,0:26:57.62,0:26:59.95,Default,,0000,0000,0000,,108,200,000.
Dialogue: 0,0:27:00.47,0:27:02.94,Default,,0000,0000,0000,,149,600,000.
Dialogue: 0,0:27:02.94,0:27:06.47,Default,,0000,0000,0000,,227,940,000.
Dialogue: 0,0:27:06.47,0:27:10.20,Default,,0000,0000,0000,,778,330,000.
Dialogue: 0,0:27:10.20,0:27:13.86,Default,,0000,0000,0000,,1,429,400,000.
Dialogue: 0,0:27:14.59,0:27:18.35,Default,,0000,0000,0000,,2,970,990,000.
Dialogue: 0,0:27:18.51,0:27:20.40,Default,,0000,0000,0000,,4,000,000,500.
Dialogue: 0,0:27:21.06,0:27:21.79,Default,,0000,0000,0000,,4 million, 5 billion...
Dialogue: 0,0:27:21.79,0:27:24.86,Default,,0000,0000,0000,,913,520,000.
Dialogue: 0,0:27:29.38,0:27:31.94,Default,,0000,0000,0000,,I can't stop looking at my phone and computer.
Dialogue: 0,0:27:33.38,0:27:36.43,Default,,0000,0000,0000,,Separate connected entity making \Nme lose time and space awareness.
Dialogue: 0,0:27:36.43,0:27:38.10,Default,,0000,0000,0000,,Where's my phone?
Dialogue: 0,0:27:38.10,0:27:40.18,Default,,0000,0000,0000,,I need to make this sunset digital.
Dialogue: 0,0:27:40.18,0:27:43.04,Default,,0000,0000,0000,,[A stone] preserved in binary code
Dialogue: 0,0:27:43.04,0:27:44.97,Default,,0000,0000,0000,,until the server breaks \Nand the national grid
Dialogue: 0,0:27:44.97,0:27:46.70,Default,,0000,0000,0000,,runs out of gas.
Dialogue: 0,0:27:46.70,0:27:48.34,Default,,0000,0000,0000,,I can't find my money.
Dialogue: 0,0:27:48.34,0:27:50.05,Default,,0000,0000,0000,,Dad left the physical sphere long ago.
Dialogue: 0,0:27:50.05,0:27:53.54,Default,,0000,0000,0000,,All I see remind me of things online\Nor in a video game.
Dialogue: 0,0:27:53.54,0:27:55.64,Default,,0000,0000,0000,,They are so real in the moment.
Dialogue: 0,0:27:55.64,0:27:58.67,Default,,0000,0000,0000,,I climbed that mountain \Nwith my mind and fingers.
Dialogue: 0,0:27:58.67,0:28:00.69,Default,,0000,0000,0000,,My body didn't even get close.
Dialogue: 0,0:28:00.69,0:28:04.69,Default,,0000,0000,0000,,All my experiences turn \Ninto light and pixels.
Dialogue: 0,0:28:09.15,0:28:11.93,Default,,0000,0000,0000,,Errrrrrmmmm
Dialogue: 0,0:28:12.47,0:28:15.30,Default,,0000,0000,0000,,Ummmmmmmmm
Dialogue: 0,0:28:15.90,0:28:19.03,Default,,0000,0000,0000,,Oohhhhhhhmmmm
Dialogue: 0,0:28:20.83,0:28:23.100,Default,,0000,0000,0000,,Ooohmmmmmmm
Dialogue: 0,0:28:24.80,0:28:28.79,Default,,0000,0000,0000,,Errrrrmmmmmmmm
Dialogue: 0,0:28:28.79,0:28:32.61,Default,,0000,0000,0000,,Ummmmmmmmmm
Dialogue: 0,0:28:32.61,0:28:35.47,Default,,0000,0000,0000,,Ooohhmmmmmm
Dialogue: 0,0:28:37.10,0:28:39.100,Default,,0000,0000,0000,,Ohhmmmmmmm
Dialogue: 0,0:28:39.100,0:28:46.11,Default,,0000,0000,0000,,Errrrmmmmmmmm
Dialogue: 0,0:28:46.11,0:28:50.02,Default,,0000,0000,0000,,Ummmmmmmmmm
Dialogue: 0,0:28:50.02,0:28:53.62,Default,,0000,0000,0000,,Ohhmmmmmmmm
Dialogue: 0,0:28:55.92,0:28:59.44,Default,,0000,0000,0000,,Ohhmmmmmmm
Dialogue: 0,0:29:00.40,0:29:03.69,Default,,0000,0000,0000,,Errmmmmmmmm
Dialogue: 0,0:29:04.33,0:29:07.39,Default,,0000,0000,0000,,Ummmmmmmmmm
Dialogue: 0,0:29:07.86,0:29:11.02,Default,,0000,0000,0000,,Ohhmmmmmmm
Dialogue: 0,0:29:12.28,0:29:15.37,Default,,0000,0000,0000,,Ohhmmmmmmmmm
Dialogue: 0,0:29:15.99,0:29:20.62,Default,,0000,0000,0000,,Errmmmmmmmmm
Dialogue: 0,0:29:21.29,0:29:23.49,Default,,0000,0000,0000,,Ummmmmmmm